philly city paper review of gone again (& the coral sea)
[by a. d. amorosi, Philadelphia City Paper, June 21-27, 1996]
It's so hard to imagine someone's loss as everyone's gain, but in the
present tense of Patti Smiththe deaths of her husband Fred, brother
Todd and best friend Robert Mapplethorpethis is very much the case.
When I interviewed Smith a few months ago,
she talked about her upcoming
works with great pride and pleasure: her new CD, Gone Again (Arista), and
a book of poems on Mapplethorpe, The Coral Sea (W.W. Norton). Both are
works that would have never happened with such understated brilliance if
all her troubles hadn't.
Replacing raw punk energy with elegiac grace, yelping with sauntering,
youthful ebullience with wise, sorrowful worldliness, Smith has transformed
her style to suit her personal transformation. On Gone Again, Smith's
challenge is to re-establish her cinematic scopenot with the blood bath
inherent in "Rock n Roll Nigger" nor the religious torpor of "Gloria," but
by letting in colors heretofore unseen. The music is a quirky but billowy
layer of sound laid down by such old Smith stalwarts as Lenny Kaye, J.D.
Daugherty, John Cale and Tom Verlaine (as well as new ones like Jeff Buckley
and Jane Scarpantoni). It's eerily muted subtle rock, meshed with haunting
piano and cello élan, that soaks the music in the passion of life and loss.
On the title track Smith is restlessly searching for God as she has
before. This time she's found Him in simplicity: "the braid undone, the
child born." On "My Madrigal" she finds Him in the vows of marriage. On
"About a Boy" she finds Him in the tortured artist Kurt Cobain. Previous to
this the lost tortured souls of Rimbaud, Jim Morrison, Brian Jones,
Pasolini and James Joyce have haunted her work like the ghosts that roam
through Ibsen. Another tortured soul, photographer Mapplethorpe, is the
focus of The Coral Sea, Smith's first newly-released book of poetry in quite
some time. Smith and Mapplethorpe's life and friendship together in the
70's was documented in a flashy, somewhat salacious manner in Patricia
Morrisroe's recent Mapplethorpe biographya depiction that saddened
Smith
because "it lacked the compassion, humor and error of youth." To that end,
Smith makes The Coral Seaa seafaring adventure where the traveler,
Passenger M, incorporates love and nature into his work and travelsa
dedication to the mythological spirit of Mapplethorpe. Passenger M has
dedicated himself from birth to a life of the aesthetic"his delicate
eyes saw with clarity what others did not." Had Mapplethorpe (or Smith for
that matter) not burned so brightly, would we be talking about him (or her)
or his work now?
The celebration of all that is Smith can also be found in a limited (to
4,000 copies) edition box set of all her previous works: Horses, Radio
Ethiopia, Wave, Dream of Life and Gone Again [sic] (all 20-bit
digitally enhanced with live tracks, B-sides and rarities). The adventure
starts with the box; Gone Again is the calm after the storm...
Copyright © a. d. amorosi 1996
back to babelogue