Any notion that motherhood in suburban Michigan and eight years away from a recording studio might have blunted Patti Smith 's creative edge is rousingly trashed on this long-awaited return to form. Now pushing 50, Smith is one middle-aged former rock star who returns to the fray with something besides nostalgia to sell.
She's evolved from the swirling, free-associating androgyne of her
punk-fueled debut, 1975's ecstatic and dreamy Horses, into a nurturing
figure of maternal wisdom. Once a wannabe martyr who identified with Joan
of Arc and snapped her neck after spinning off a concert stage, she's now a
madonna. Time and sometimes harsh experience
Though the opening "Gone Again," with the jagged guitars of Tom Verlaine
and Lenny Kaye, and a cover of Bob Dylan's "Wicked Messenger," aim to
affirm Smith's rock 'n' roll credentials, much of the album dwells in
ambient reverie (the intro to "About a Boy," the singer's memorial to Kurt
Cobain) and rustic strumming that would suit recent R.E.M. ("Beneath the
Southern Cross"). Not without patches of self-indulgence (what would a
Smith album be without them?) and thorny tangles of lyric, "Gone Again" is
foremost elegiac, yet rarely feels funereal. Hang with it, and its songs
begin to cast the hypnotic twilight spell of the two CDs you'd most likely
place next to it in the carousel: Automatic for the People and Dylan's
World Gone Wrong.
Copyright © Steve Dollar 1996
back to babelogue